Kravets’ Emperor Altoum was a performance of great subtlety. Vocally it was strong enough to fill the auditorium but also convey the wisdom of a God-like emperor

Marc Bridle , Opera Today



Drunken Prisoner, Prisoner with an Eagle, Prisoner 2 From the House of the Dead at Ruhrtriennale Bochum (dir. D. Tcherniakov), The Incredible Andrea Chénier and The Emperor Altoum Turandot at the Royal Opera House,  Shipman The Tale of Tsar Saltan at La Monnaie de Brussels and Teatro Real Madrid, Chekalinsky Pique Dame at Semperoper Dresden, Shabby Peasant Lady Macbeth of Mtsensk with Boston Symphony Orchestra, Second Jew Salome at Grand Théâtre de Genève.


Missail Boris Godunov at Teatro alla Scala, Goro Madama Butterfly and Altoum Turandot, Police Officer The Nose at the Royal Opera House, Shipman The Tale of Tsar Saltan at Teatro Real Madrid and Komische Oper Berlin, Cherevin From the House of the Dead and Astrologue Golden Cockerel at La Monnaie de Bruxelles, Platon Karataev War & Peace at Grand Théâtre de Genève, Ulisse Ronchetti’s Inferno at Oper Frankfurt, Drunken Cossack Mazeppa at Berliner Philharmoniker and Festspielhaus Baden-Baden, Shuisky Boris Godunov with Opéra de Monte-Carlo, The Swan Carmina Burana with Bergen National Opera, Clare Quilty Lolita at Prague National Theatre, Chekalinsky Pique Dame at Teatro di San Carlo.  

A Royal Opera House regular, Kravets has a fine tenor voice and can ham it up nicely; here, portraying a very ancient, geriatric ruler


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Alex Grigorev

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Ivana Tanovitski

Ivana Tanovitski

+38 5917817833

Ivana Tanovitski